Choirs (Music)
Found in 60 Collections and/or Records:
Come, come ye saints, approximately 1945-2014
Piece arranged for piano and chorus [5] (SATB); piano, chorus, and quartet; chorus [32] (two varying arrangments); violin 1; violin 2; viola; and cello.
Come follow me, approximately 1945-2014
Piece arranged for piano and chorus [3] (SATB); chorus [18] (two varying arrangments); violin 1; violin 2 [2]; viola; and cello.
Come, let us anew, approximately 1945-2014
Piece arranged for piano and chorus [18] (SATB); chorus [3]; violin 1; violin 2; viola; and cello.
Come listen to a prophet's voice, approximately 1945-2014
Piece arranged for piano and chorus [4] (SATB); piano, chorus, and quartet; chorus [17]; violin 1; violin 2; viola; and cello.
Come thou font of every blessing, approximately 1945-2014
Piece arranged for piano; piano, chorus, and trio [2 copies] (SATB); chorus [16]; violin 1 and violin 2 [2]; viola; cello [3]; also contains photocopy of "For the Beauty of the Earth" arr. Sally DeFord, arranged for women and men chorus.
Come ye thankful people come, approximately 1945-2014
Piece arranged for piano and chorus (SATB); piano, chorus, and quartet [2 copies]; chorus [20]; violin 1 [2]; violin 2 [3]; viola [2]; and cello [2].
Richard Condie papers
This collection includes press clippings from national and local publications highlighting events in Condie's career, especially in relation to the Mormon Tabernacle Choir; photographs, books, and scores annotated and marked by Condie during performance or study; and other personal materials such as a typescript of an oral history given by Condie, circa 1950-1970.
Far, far away on Judea's plains, approximately 1945-2014
Piece arranged for piano and chorus (SATB); chorus [21 copies]; violin 1 and violin 2 [3]; violin and piano; violin piano and chorus; cello [2]; and cello, piano, and chorus [2].
Father in heaven, approximately 1945-2014
Piece arranged for piano [2 copies]; piano and chorus [2] (SATB); chorus [15]; violin 1; violin 2; viola; and cello.
Grace Follet papers
contain vocal scores for women's voices, vocal scores for mixed choirs, course booklets pertaining to harp instruction, research notes on the history and structure of harp, American Harp Society (AHS) conference booklets, programs and brochures of Follet and other prominent harpists, correspondence, two indexes and two appendixes to the AHS sound recording repository. Collection spans the dates 1927-1985, with publication dates ranging 1889-1959.