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Motion picture plays -- History and criticism

 Subject
Subject Source: Library of Congress Subject Headings

Found in 54 Collections and/or Records:

Correspondence, 1957

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 1 Sub-Series 26
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1957

Correspondence, 1958

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 1 Sub-Series 27
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1958

Correspondence, 1959

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 1 Sub-Series 28
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1959

Correspondence, 1942

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 1 Sub-Series 11
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1942

Correspondence, 1943

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 1 Sub-Series 12
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1943

Correspondence, 1944

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 1 Sub-Series 13
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1944

Correspondence, 1941

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 1 Sub-Series 10
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1941

Correspondence, 1926-1959

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 1
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1926-1959

Correspondence, 1932

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 1 Sub-Series 1
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1932

Correspondence, 1933

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 1 Sub-Series 2
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1933