The collection contains primarily computer-printed scores written by Murray Boren with a small number of manuscripts and onionskin copies, circa 1976-2004.

The Cue Sheet newsletters, published by the Society for the Preservation of Film Music, 1984-1987.

Collection contains scores and other material contain multiple computer-printed scores and sets of parts, manuscript scores and sets of parts, photocopies of published scores, and onionskin copies of Cundick's musical works. Multiple, variable copies exist for a single piece. Also included are correspondence and select CD and DVD recordings of his music, of both professionally-recorded and non-commercial varieties. The materials in this collection span from 1948 to 2013.

Contains one seven-inch reel tape of "Trilogy," eleven unofficial, non-professional CDs of performances of various works by Robertson, and a type-written draft of Wilson's book "Leroy Robertson: Music Giant from the Rockies" with annotations and markings by the author.

Contains documentation behind how Max Steiner's music managed to be created. Included in these documents are correspondence between Steiner and the various music companies he worked with, music lyrics, lectures on film music, and legal documents pertaining to his music. Materials dated 1932-1960.

Primarily contains large-scale works such as operas, symphonic works, and cantatas composed over the course of Boren's lifetime, including his Masters' Thesis and works comissioned by the Brigham Young University Philharmonic and Chamber Orchestra. Items are primarily computer-printed scores, with some manuscripts and onion skin copies. Some solo works (specifically sonatas) have been included in this series, having been printed on large-sized paper.

Contains primarily smaller ensemble or solo instrumental works, particularly for the harp, composed over the course of Murray Boren's career. Many of these works have been commissioned by the Barlow Endowment of Brigham Young University's School of Music and the American Harp Society. Items typically consist of computer print-outs of scores.

Programs from an annual Music Festival held at Brigham Young University. These programs are from 1948 to 1963.

Includes computer-printed scores, onionskins, performance copies, sets of parts, full orchestral scores, manuscript parts, manuscript scores, and photocopied published scores for both large-scale works like Right Honorable Saint and smaller works like sonatas and pieces for solo instrumental keyboard, among others. Dates range approximately 1948-2013.

Consists of multiple copies of a single musical work in the form of computer-printed scores, onionskins, performance copies, sets of parts, full orchestral scores, manuscript parts, and manuscript scores for large-scale works like Song of Nephi, Song of the Heart, and Redeemer, often with substantial markings and revisions. Dates range approximately 1948-2013.