DeMille, Cecil B. (Cecil Blount), 1881-1959
Person
Dates
- Existence: 1881 - 1959
Biographical History
Cecil B. DeMille (1881-1959) was an American motion picture producer and director, considered the archetype of the American film mogul. His 70 films reflect changing American tastes and values, and he was particularly noted for his multimillion-dollar spectacles.
Cecil B. DeMille was born on August 12, 1881 in Ashfield, Massachusetts to Henry Churchill de Mille and Matilda Beatrice Samuel de Mille. DeMille started acting on Broadway in 1900, and by 1913 he joined a film studio partnership which would eventually become Paramount Pictures. DeMille had a long and storied career as a filmmaker and directed several epic films, such as the Ten Commandments (1956). DeMille died on January 21, 1959, in Hollywood, California.
Citation:
His The Royal ...LC data base, 10/11/85 (hdg.: DeMille, Cecil Blount, 1881-1959; usage: Cecil B. DeMille); LC manual auth. cd. (also shows usage: Cecil B. De Mille)
Wikipedia, Sept. 16, 2010 (Cecil Blount DeMille; b. Aug. 12, 1881 in Ashfield, Mass.; d. Jan. 21, 1959 in Hollywood, Calif.; American film director and producer)
Turner Classic Movies database, Oct. 7, 2010 (Cecil B. DeMille Productions; est. 1921; founded by Cecil B. DeMille)
Empire of dreams, 2010: p. 212 (Cecil B. DeMille Pictures Corporation; founded by Cecil B. DeMille)
Found in 643 Collections and/or Records:
Correspondence, 1960
Sub-Series
Identifier: MSS 1400 Series 2 Sub-Series 6 Sub-Series 6
Scope and Contents
From the Series:
Identified by DeMille as "Personal," this group of 196 boxes begins with 22 boxes dealing with the research and writing of the posthumously published The Autobiography of Cecil B. DeMille (Englewood Cliffs, N.J.: Prentice-Hall, 1959), edited by Donald Hayne. The files are arranged chronologically by year, and items within each year are arranged alphabetically by subject or name. Over time, the organization of some of the files deteriorated into groups of unrelated records. Therefore, files...
Dates:
1960
Correspondence, 1964
Sub-Series
Identifier: MSS 1400 Series 2 Sub-Series 6 Sub-Series 7
Scope and Contents
From the Series:
Identified by DeMille as "Personal," this group of 196 boxes begins with 22 boxes dealing with the research and writing of the posthumously published The Autobiography of Cecil B. DeMille (Englewood Cliffs, N.J.: Prentice-Hall, 1959), edited by Donald Hayne. The files are arranged chronologically by year, and items within each year are arranged alphabetically by subject or name. Over time, the organization of some of the files deteriorated into groups of unrelated records. Therefore, files...
Dates:
1964
Correspondence, 1897
Sub-Series — Box 226: Series 5; Series 6 [Barcode: 31197231223964], Folder: 3
Identifier: MSS 1400 Series 6 Sub-Series 1
Scope and Contents
From the Series:
These files are listed chronologically from 1868 to 1936 and are comprised of plays written by Henry C. DeMille, Cecil B. DeMille, William deMille, and David Belasco. Some are holographs, some are typescripts, and some are professionally printed and published. Many are annotated. Also in this series of 11 boxes is correspondence and material relating to the theater business of the family. See also: Jesse L. Lasky Feature Play Company/ Famous Players-Lasky Film Corporation.
Dates:
1897
Correspondence, 1914-1931
Sub-Series
Identifier: MSS 1400 Series 8 Sub-Series 1
Scope and Contents
From the Series:
In late 1924, DeMille purchased the Thomas Ince Studio in Culver City and renamed the facility DeMille Studio. This series of 35 boxes documents the nearly four-year lifespan of the organization and contains two main parts: the first deals with general financial and business correspondence and story properties from 1925 to 1928, and is arranged alphabetically ; the second part is comprised of film production files from the same period including 13 boxes of material on The Road to Yesterday,...
Dates:
1914-1931
Correspondence, 1920-1921
Sub-Series
Identifier: MSS 1400 Series 12 Sub-Series 3
Scope and Contents
From the Series:
Found in ths series of 261 boxes are files relating to the activities of DeMille Productions, beginning in 1916. They include financial records and ledgers from 1916 to 1952. The extensive correspondence fields (1922-1959) are arranged chronologically, and then alphabetically within each year. The original order maintained in these files often includes years other than those indicated by the file heading. Files from preceding years were occasionally brought froward for reference or for...
Dates:
1920-1921
Correspondence, 1928
Sub-Series
Identifier: MSS 1400 Series 8 Sub-Series 1 Sub-Series 4
Scope and Contents
From the Series:
In late 1924, DeMille purchased the Thomas Ince Studio in Culver City and renamed the facility DeMille Studio. This series of 35 boxes documents the nearly four-year lifespan of the organization and contains two main parts: the first deals with general financial and business correspondence and story properties from 1925 to 1928, and is arranged alphabetically ; the second part is comprised of film production files from the same period including 13 boxes of material on The Road to Yesterday,...
Dates:
1928
Correspondence, 1929-1931
Sub-Series
Identifier: MSS 1400 Series 9 Sub-Series 1
Scope and Contents
From the Series:
The 10 boxes comprising this series document DeMille's nearly four years at MGM, 1928 to 1931. The records are grouped under general correspondence, arranged chronologically, but alphabetically within each year by name, organization, or activity. The second group, Motion Picture Production Files, contains a limited number of treatments, scenarios, script drafts, casting information, and preview cards relating to Dynamite, Madam Satan, and the third version of The Squaw Man.
See also:...
Dates:
1929-1931
Correspondence, 1929
Sub-Series
Identifier: MSS 1400 Series 9 Sub-Series 1 Sub-Series 1
Scope and Contents
From the Series:
The 10 boxes comprising this series document DeMille's nearly four years at MGM, 1928 to 1931. The records are grouped under general correspondence, arranged chronologically, but alphabetically within each year by name, organization, or activity. The second group, Motion Picture Production Files, contains a limited number of treatments, scenarios, script drafts, casting information, and preview cards relating to Dynamite, Madam Satan, and the third version of The Squaw Man.
See also:...
Dates:
1929
Correspondence, 1930
Sub-Series
Identifier: MSS 1400 Series 9 Sub-Series 1 Sub-Series 2
Scope and Contents
From the Series:
The 10 boxes comprising this series document DeMille's nearly four years at MGM, 1928 to 1931. The records are grouped under general correspondence, arranged chronologically, but alphabetically within each year by name, organization, or activity. The second group, Motion Picture Production Files, contains a limited number of treatments, scenarios, script drafts, casting information, and preview cards relating to Dynamite, Madam Satan, and the third version of The Squaw Man.
See also:...
Dates:
1930
Correspondence, 1931
Sub-Series
Identifier: MSS 1400 Series 9 Sub-Series 1 Sub-Series 3
Scope and Contents
From the Series:
The 10 boxes comprising this series document DeMille's nearly four years at MGM, 1928 to 1931. The records are grouped under general correspondence, arranged chronologically, but alphabetically within each year by name, organization, or activity. The second group, Motion Picture Production Files, contains a limited number of treatments, scenarios, script drafts, casting information, and preview cards relating to Dynamite, Madam Satan, and the third version of The Squaw Man.
See also:...
Dates:
1931