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Metro-Goldwyn-Mayer

 Organization

Administrative History

Metro-Goldwyn-Mayer (1924-) is a motion picture, television, home video, and theatrical production and distribution company.

Metro-Goldwyn-Mayer (MGM) was established in 1924 as a merger between Metro Pictures Corp., Goldwyn Pictures, and Louis B. Mayer Productions. MGM experienced a "golden three decades" between 1924 and 1954, in which it produced a Best Picture nominee every year for 20 years straight. In 1939, both Gone With the Wind and The Wizard of Oz were nominated for Best Picture. Gone With the Wind won, along with eight other Oscars, and The Wizard of Oz won two Oscars. MGM has over 175 Oscars across its library.

Citation:
Metro-Goldwyn-Mayer, via WWW, October 4, 2017 (all above)

Found in 605 Collections and/or Records:

Publicity and screenings--administration and staff

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 16 Sub-Series 29
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1952-1959

Publicity and screenings--advertisements, 1956-1959

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 16 Sub-Series 36
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1956-1959

Publicity and screenings--censorship

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 14 Sub-Series 21
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1934-1959

Publicity and screenings--censorship

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 15 Sub-Series 24
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1943-1953

Publicity and screenings--commercial tie-ups

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 16 Sub-Series 47
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1952-1959

Publicity and screenings--documentary

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 16 Sub-Series 31
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1952-1959

Publicity and screenings--endorsements

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 14 Sub-Series 24
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1934-1959

Publicity and screenings--endorsements

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 16 Sub-Series 40
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1952-1959

Publicity and screenings--exhibits and displays

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 16 Sub-Series 45
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1952-1959

Publicity and screenings--foreign

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 16 Sub-Series 48
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1952-1959

Additional filters:

Type
Archival Object 601
Collection 4
 
Subject
Letters 603
Motion picture producers and directors -- United States -- Biography 602
Scrapbooks 572
Drawings 571
Feature films 571