Scope and Contents From the Series: Identified by DeMille as "Personal," this group of 196 boxes begins with 22 boxes dealing with the research and writing of the posthumously published The Autobiography of Cecil B. DeMille (Englewood Cliffs, N.J.: Prentice-Hall, 1959), edited by Donald Hayne. The files are arranged chronologically by year, and items within each year are arranged alphabetically by subject or name. Over time, the organization of some of the files deteriorated into groups of unrelated records. Therefore, files...

Scope and Contents Identified by DeMille as "Personal," this group of 196 boxes begins with 22 boxes dealing with the research and writing of the posthumously published The Autobiography of Cecil B. DeMille (Englewood Cliffs, N.J.: Prentice-Hall, 1959), edited by Donald Hayne. The files are arranged chronologically by year, and items within each year are arranged alphabetically by subject or name. Over time, the organization of some of the files deteriorated into groups of unrelated records. Therefore, files...

Scope and Contents

This series of 6 boxes contains correspondence, notes and desk calendars (1933-1965), and appointment books of key DeMille employees: Florence Cole (secretary), Gladys Rosson (secretary), Joseph W. Harper (businessman and son-in-law), Henry Wilcoxon (associate producer), Russell A. Treacy (business manager), and Stella Stray (DeMille's first employee, a secretary, hired in 1913).

Scope and Contents From the Series:

These files are listed chronologically from 1868 to 1936 and are comprised of plays written by Henry C. DeMille, Cecil B. DeMille, William deMille, and David Belasco. Some are holographs, some are typescripts, and some are professionally printed and published. Many are annotated. Also in this series of 11 boxes is correspondence and material relating to the theater business of the family. See also: Jesse L. Lasky Feature Play Company/ Famous Players-Lasky Film Corporation.

Scope and Contents From the Series:

Contains genealogical charts, correspondence, and research relating to DeMille's ancestry as compiled by Louis DeBoer, a genealogist retained by DeMille for many years. Also included in this series is correspondence relating specifically to Frederic A. Adams (father-in-law), Constance Adams DeMille (wife), Henry C. DeMille (father), Beatrice Samuel DeMille (mother), William C. deMille (brother), and Cecilia deMille Harper (daughter).

Scope and Contents From the Series:

This series of 15 boxes contains speeches, requests for speeches, and related correspondence. Final drafts and notes on individual speeches are available dating from 1927 to 1958. Some were designated "political" or "non-political" in nature and are filed alphabetically by location or organization where the speech was delivered. Some speeches are chronologically.

Scope and Contents From the Series: In late 1924, DeMille purchased the Thomas Ince Studio in Culver City and renamed the facility DeMille Studio. This series of 35 boxes documents the nearly four-year lifespan of the organization and contains two main parts: the first deals with general financial and business correspondence and story properties from 1925 to 1928, and is arranged alphabetically ; the second part is comprised of film production files from the same period including 13 boxes of material on The Road to Yesterday,...

Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...

Scope and Contents From the Series: The 10 boxes comprising this series document DeMille's nearly four years at MGM, 1928 to 1931. The records are grouped under general correspondence, arranged chronologically, but alphabetically within each year by name, organization, or activity. The second group, Motion Picture Production Files, contains a limited number of treatments, scenarios, script drafts, casting information, and preview cards relating to Dynamite, Madam Satan, and the third version of The Squaw Man. See also:...

Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...