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Metro-Goldwyn-Mayer

 Organization

Administrative History

Metro-Goldwyn-Mayer (1924-) is a motion picture, television, home video, and theatrical production and distribution company.

Metro-Goldwyn-Mayer (MGM) was established in 1924 as a merger between Metro Pictures Corp., Goldwyn Pictures, and Louis B. Mayer Productions. MGM experienced a "golden three decades" between 1924 and 1954, in which it produced a Best Picture nominee every year for 20 years straight. In 1939, both Gone With the Wind and The Wizard of Oz were nominated for Best Picture. Gone With the Wind won, along with eight other Oscars, and The Wizard of Oz won two Oscars. MGM has over 175 Oscars across its library.

Citation:
Metro-Goldwyn-Mayer, via WWW, October 4, 2017 (all above)

Found in 605 Collections and/or Records:

Critical response

 Sub-Series
Identifier: MSS 1400 Series 9 Sub-Series 2 Sub-Series 3 Sub-Series 5
Scope and Contents From the Series: The 10 boxes comprising this series document DeMille's nearly four years at MGM, 1928 to 1931. The records are grouped under general correspondence, arranged chronologically, but alphabetically within each year by name, organization, or activity. The second group, Motion Picture Production Files, contains a limited number of treatments, scenarios, script drafts, casting information, and preview cards relating to Dynamite, Madam Satan, and the third version of The Squaw Man. See also:...
Dates: 1930-1931

Critical response

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 6 Sub-Series 13
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1927-1936

Critical response

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 7 Sub-Series 12
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1934-1938

Critical response

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 8 Sub-Series 18
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1906-1939

Critical response

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 9 Sub-Series 5
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1915-1939

Critical response

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 10 Sub-Series 15
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1938-1940

Critical response

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 11 Sub-Series 15
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1940-1942

Critical response

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 12 Sub-Series 16
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1942-1944

Critical response, 1947

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 13 Sub-Series 20
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1947

Critical response--favorable

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 14 Sub-Series 27
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1934-1959

Additional filters:

Type
Archival Object 601
Collection 4
 
Subject
Letters 603
Motion picture producers and directors -- United States -- Biography 602
Scrapbooks 572
Drawings 571
Feature films 571