Metro-Goldwyn-Mayer
Organization
Administrative History
Metro-Goldwyn-Mayer (1924-) is a motion picture, television, home video, and theatrical production and distribution company.
Metro-Goldwyn-Mayer (MGM) was established in 1924 as a merger between Metro Pictures Corp., Goldwyn Pictures, and Louis B. Mayer Productions. MGM experienced a "golden three decades" between 1924 and 1954, in which it produced a Best Picture nominee every year for 20 years straight. In 1939, both Gone With the Wind and The Wizard of Oz were nominated for Best Picture. Gone With the Wind won, along with eight other Oscars, and The Wizard of Oz won two Oscars. MGM has over 175 Oscars across its library.
Citation:
Metro-Goldwyn-Mayer, via WWW, October 4, 2017 (all above)Found in 571 Collections and/or Records:
Scrapbooks, 1882-1978
Series
Identifier: MSS 1400 Series 18
Scope and Contents
DeMille's staff compiled and maintained more than 279 volumes of scrapbooks from 1919 to 1963. They contain clippings (reviews, advertisements, notices) from various magazines and newspapers, clipped by a professional clipping service and assembled into scrapbooks by DeMille's secretarial staff. Some contain handbills and commercial tie-in publications. The arrangement of the materials is according to film title or subject matter, wether personal or professional. The scrapbooks are arranged...
Dates:
1882-1978
Screening books, 1949-1959
Sub-Series
Identifier: MSS 1400 Series 2 Sub-Series 6 Sub-Series 10
Scope and Contents
From the Series:
Identified by DeMille as "Personal," this group of 196 boxes begins with 22 boxes dealing with the research and writing of the posthumously published The Autobiography of Cecil B. DeMille (Englewood Cliffs, N.J.: Prentice-Hall, 1959), edited by Donald Hayne. The files are arranged chronologically by year, and items within each year are arranged alphabetically by subject or name. Over time, the organization of some of the files deteriorated into groups of unrelated records. Therefore, files...
Dates:
1949-1959
Screening lists, 1934-1959
Sub-Series
Identifier: MSS 1400 Series 2 Sub-Series 6 Sub-Series 9
Scope and Contents
From the Series:
Identified by DeMille as "Personal," this group of 196 boxes begins with 22 boxes dealing with the research and writing of the posthumously published The Autobiography of Cecil B. DeMille (Englewood Cliffs, N.J.: Prentice-Hall, 1959), edited by Donald Hayne. The files are arranged chronologically by year, and items within each year are arranged alphabetically by subject or name. Over time, the organization of some of the files deteriorated into groups of unrelated records. Therefore, files...
Dates:
1934-1959
Script development, 1938-1939
Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 9 Sub-Series 2
Scope and Contents
From the Series:
In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates:
1938-1939
Script development, 1926-1930
Sub-Series
Identifier: MSS 1400 Series 8 Sub-Series 2 Sub-Series 1 Sub-Series 2
Scope and Contents
From the Series:
In late 1924, DeMille purchased the Thomas Ince Studio in Culver City and renamed the facility DeMille Studio. This series of 35 boxes documents the nearly four-year lifespan of the organization and contains two main parts: the first deals with general financial and business correspondence and story properties from 1925 to 1928, and is arranged alphabetically ; the second part is comprised of film production files from the same period including 13 boxes of material on The Road to Yesterday,...
Dates:
1926-1930
Script development, 1932
Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 1 Sub-Series 1
Scope and Contents
From the Series:
In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates:
1932
Script development
Sub-Series
Identifier: MSS 1400 Series 9 Sub-Series 2 Sub-Series 2 Sub-Series 1
Scope and Contents
From the Series:
The 10 boxes comprising this series document DeMille's nearly four years at MGM, 1928 to 1931. The records are grouped under general correspondence, arranged chronologically, but alphabetically within each year by name, organization, or activity. The second group, Motion Picture Production Files, contains a limited number of treatments, scenarios, script drafts, casting information, and preview cards relating to Dynamite, Madam Satan, and the third version of The Squaw Man.
See also:...
Dates:
1929-1930
Script development--drafts, 1950-1951
Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 15 Sub-Series 6
Scope and Contents
From the Series:
In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates:
1950-1951
Script development--drafts, 1952-1956
Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 16 Sub-Series 4
Scope and Contents
From the Series:
In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates:
1952-1956
Script development--drafts, 1937-1958
Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 17 Sub-Series 4
Scope and Contents
From the Series:
In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates:
1937-1958
Filtered By
- Subject: Souvenirs (Keepsakes) X
Additional filters:
- Type
- Archival Object 570
- Collection 1
- Subject
- Arts, Humanities, and Social Sciences 1
- Motion picture actors and actresses -- United States -- History 1
- Motion picture industry -- United States -- History 1
- Motion picture plays -- History and criticism 1
- Motion picture studios -- United States -- History 1