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Metro-Goldwyn-Mayer

 Organization

Administrative History

Metro-Goldwyn-Mayer (1924-) is a motion picture, television, home video, and theatrical production and distribution company.

Metro-Goldwyn-Mayer (MGM) was established in 1924 as a merger between Metro Pictures Corp., Goldwyn Pictures, and Louis B. Mayer Productions. MGM experienced a "golden three decades" between 1924 and 1954, in which it produced a Best Picture nominee every year for 20 years straight. In 1939, both Gone With the Wind and The Wizard of Oz were nominated for Best Picture. Gone With the Wind won, along with eight other Oscars, and The Wizard of Oz won two Oscars. MGM has over 175 Oscars across its library.

Citation:
Metro-Goldwyn-Mayer, via WWW, October 4, 2017 (all above)

Found in 571 Collections and/or Records:

Research

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 4 Sub-Series 1
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1934

Research

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 5 Sub-Series 1
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1934-1935

Research

 Sub-Series
Identifier: MSS 1400 Series 9 Sub-Series 2 Sub-Series 1 Sub-Series 1
Scope and Contents From the Series: The 10 boxes comprising this series document DeMille's nearly four years at MGM, 1928 to 1931. The records are grouped under general correspondence, arranged chronologically, but alphabetically within each year by name, organization, or activity. The second group, Motion Picture Production Files, contains a limited number of treatments, scenarios, script drafts, casting information, and preview cards relating to Dynamite, Madam Satan, and the third version of The Squaw Man. See also:...
Dates: 1928-1929

Research--character sketches, 1952-1956

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 16 Sub-Series 8
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1952-1956

Research--costumes/makeup

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 16 Sub-Series 5
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1952-1959

Research--general, 1937-1958

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 17 Sub-Series 1
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1937-1958

Research--general, 1949

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 15 Sub-Series 2
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1949

Research--general

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 6 Sub-Series 2
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1927-1936

Research--general

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 7 Sub-Series 2
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1934-1938

Research--general

 Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 8 Sub-Series 2
Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates: 1906-1939

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Motion picture studios -- United States -- History 1