Metro-Goldwyn-Mayer
Organization
Administrative History
Metro-Goldwyn-Mayer (1924-) is a motion picture, television, home video, and theatrical production and distribution company.
Metro-Goldwyn-Mayer (MGM) was established in 1924 as a merger between Metro Pictures Corp., Goldwyn Pictures, and Louis B. Mayer Productions. MGM experienced a "golden three decades" between 1924 and 1954, in which it produced a Best Picture nominee every year for 20 years straight. In 1939, both Gone With the Wind and The Wizard of Oz were nominated for Best Picture. Gone With the Wind won, along with eight other Oscars, and The Wizard of Oz won two Oscars. MGM has over 175 Oscars across its library.
Citation:
Metro-Goldwyn-Mayer, via WWW, October 4, 2017 (all above)Found in 571 Collections and/or Records:
Publicity and screenings--trailers
Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 16 Sub-Series 30
Scope and Contents
From the Series:
In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates:
1952-1959
Publicity and screenings--trailers, 1958-1959
Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 14 Sub-Series 20
Scope and Contents
From the Series:
In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates:
1958-1959
Publicity and screenings--trailers
Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 15 Sub-Series Sub-Sub-Sub- 23
Scope and Contents
From the Series:
In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates:
1943-1953
Publicity--censorship
Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 13 Sub-Series 16
Scope and Contents
From the Series:
In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates:
1944-1947
Publicity--commercial tie-ups
Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 8 Sub-Series 16
Scope and Contents
From the Series:
In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates:
1906-1939
Publicity--correspondence, 1938-1939
Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 8 Series 12
Scope and Contents
From the Series:
In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates:
1938-1939
Publicity--magazines and newspapers
Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 13 Sub-Series 14
Scope and Contents
From the Series:
In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates:
1944-1947
Publicity--premieres
Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 8 Sub-Series 14
Scope and Contents
From the Series:
In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates:
1906-1939
Publicity--premieres
Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 13 Sub-Series 17
Scope and Contents
From the Series:
In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates:
1944-1947
Publicity--previews
Sub-Series
Identifier: MSS 1400 Series 10 Sub-Series 2 Sub-Series 8 Sub-Series 13
Scope and Contents
From the Series:
In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...
Dates:
1906-1939
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- Motion picture plays -- History and criticism 1
- Motion picture studios -- United States -- History 1