Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...

Scope and Contents This series contains 8 boxes of photocopied shooting scripts from the originals used by DeMille. (The originals are archived at the University of Southern California.) They are arranged chronologically, as DeMille maintained them. One of the final installments of the collection consisted of drawers full of originals scripts kept apart from the main collection. Because of their belated arrival, they were not interfiled in the production files. These 30 boxes of scripts contain story...

Scope and Contents From the Series: Found in ths series of 261 boxes are files relating to the activities of DeMille Productions, beginning in 1916. They include financial records and ledgers from 1916 to 1952. The extensive correspondence fields (1922-1959) are arranged chronologically, and then alphabetically within each year. The original order maintained in these files often includes years other than those indicated by the file heading. Files from preceding years were occasionally brought froward for reference or for...

Scope and Contents

This small series encompasses 10 sound recording from 1954 to 1958 and includes speeches, a radio broadcast, and DeMille's copy of the commercially released soundtrack album of The Ten Commandments. See also: Speeches, Broadcasts, and Narrations; General Interviews; Paramount Pictures; Civic Involvement; and Personl.

Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...

Scope and Contents

This series of 15 boxes contains speeches, requests for speeches, and related correspondence. Final drafts and notes on individual speeches are available dating from 1927 to 1958. Some were designated "political" or "non-political" in nature and are filed alphabetically by location or organization where the speech was delivered. Some speeches are chronologically.

Scope and Contents From the Series:

This series of 6 boxes contains correspondence, notes and desk calendars (1933-1965), and appointment books of key DeMille employees: Florence Cole (secretary), Gladys Rosson (secretary), Joseph W. Harper (businessman and son-in-law), Henry Wilcoxon (associate producer), Russell A. Treacy (business manager), and Stella Stray (DeMille's first employee, a secretary, hired in 1913).

Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...

Scope and Contents From the Series: Identified by DeMille as "Personal," this group of 196 boxes begins with 22 boxes dealing with the research and writing of the posthumously published The Autobiography of Cecil B. DeMille (Englewood Cliffs, N.J.: Prentice-Hall, 1959), edited by Donald Hayne. The files are arranged chronologically by year, and items within each year are arranged alphabetically by subject or name. Over time, the organization of some of the files deteriorated into groups of unrelated records. Therefore, files...

Scope and Contents From the Series: In 1932 DeMille returned to Paramount Pictures after an eight-year absence. There he set up his own production entity know to those on his Paramount lot as the DeMille Unit. This series is the largest single group of material in the DeMille Archives, numbering 450 boxes. It is organized into two main groups: General Correspondence and Motion Picture Production Files.General Correspondence is arranged chronologically, and then alphabetically within each year by individual,...